It’s 1979. In the midst of the malaise of the Carter Administration, the Dallas Cowboys are two years removed from their second Super Bowl victory and are at the height of their reign as “America’s Team”.
In attempt to capitalize on the popularity of The ‘Boys, a vanity film is put into production: Squezze Play.
(Not to be confused with 1979’s correctly-spelled “Squeeze Play!“)
This movie has haunted me for years for silly reasons. Back in the day (what a vague term!), in my hometown of Tyler, Texas, we’d go out to Bennigan’s (RIP) for drinks and, once the bar closed, we’d take our hungered selves to the local Whataburger for late night breakfast tacos. Hanging in the location we frequented was a movie poster for a film we’d never heard of and were always unsure of why it was hanging there. We’d remark on the questionable spelling of “squeeze” (was it pronounced correctly or was it actually “squezzay”?).
Starring people you’ve probably heard of (assuming you’re a Dallas Cowboys fan), Hollywood Henderson, Too Tall Jones, Jay Saldi and Drew Pearson; along with people you haven’t heard of, Dawn Chapman, Gary Vazza and Eddie Thomas, the film was a strange mystery.
Eventually, we stopped going to Bennigan’s and Whataburger…our little drinking gang moved on, got married and grew up. I forgot about “Squezze Play” until a few months ago when I was at my local 7-11 here in the far northern suburbs of Dallas (practically Oklahoma). Waiting in line, I noticed that the guy in front of me looked remarkably like an older Ed “Too Tall” Jones. Knowing that he lives in the area and that this fellow customer was wearing an NFL Players Association hat and that he got into a Mercedes G-Wagen with a Dallas Cowboys decal on the back window when he left, I’m 98% certain it was, in fact, Too Tall Jones. Getting into my car (decidedly not a G-Wagen), I suddenly remembered “Squezze Play” and regretted not taking the opportunity to ask him about it.
I later mentioned this occurence to my brother and the kind of forgot about it.
Until earlier this week. My brother randomly texted me with a link to an old UPI story about the producer, Bill Chaffin, getting convicted of fraud for selling securities to finance the film. Further research led me to Chaffin’s site and it appears that he became a motivational speaker after serving his prison sentence (note that the endorsement is from Nextel, which ceased to exist in 2005). I submitted a question asking about the film on that site’s contact page, but have not heard back.
I also found this clipping from a 1979 Irving Daily News issue that highlights the film’s premier at Texas Stadium (RIP).
Part of my curiosity about this film is wanting to know what the plot is. Neither the poster nor the press clipping give any information beyond letting us know that their style does not including “backing down”.
The film’s plot synopsis on the IMDB is an indictment of the unprofessionalism of the cast and crew rather than the actual story of the film:
Troubled production starring four prominent Dallas Cowboys in the late 70s: Jay Saldi, Drew Pearson, Thomas Henderson and Ed Jones. Barely screened around Texas. In the words of director Anthony Lanza: “It was a bad movie, just a bad movie. It had four Dallas Cowboys in it. At the time, they were very popular. It had two or three people that were starlets that were just starting out, didn’t really have any background, didn’t want to be told what to do or how should I direct them and the action. It was just very unprofessional, and I didn’t enjoy putting that together at all.”https://www.imdb.com/title/tt10950080/?ref_=ttfc_fc_tt
That the move was “barely screened around Texas” and there is scant information on the web about it, I’m afraid that this is an example of a lost film. Occasionally, lost films are rediscovered…the most-famous recent example is the 1980 short “Black Angel“, shown around Europe before “The Empire Strikes Back”, it disappeared for decades and it was assumed that no prints existed until 2011 when an archivist found a print in the Universal Studios collection and was subsequently restored and re-released.
Unfortunately, I don’t think there will be a rediscovery of “Squezze Play”. Without the backing of a major studio that might’ve squirreled away a copy or two in a climate controlled archive, any print that exists has probably rotted away into oblivion on a forgotten shelf in a garage or attic. That said, I continue to hold out hope that one day a print will be rediscovered and shared with the world. Or at least with me.